Craig Finn of the Hold Steady. Huge Twins fan. |
June of 2009 was a time of gorgeous weather and great
expectations. I had just graduated from Gustavus Adolphus (along with fellow
contributors Tony and SilkyJ), I was all set to start a Masters program at the University
of Minnesota in the fall, and I aced
an interview for a summer position at a market research company in the
meantime. To celebrate, I went shopping for some work clothes and put together
two 15-song playlists that amplified my optimistic mood and just screamed
"summertime" out of every track.
The day after my interview, I got a call from the market
research company. They rescinded the job offer and decided to give the position
to the company president's daughter. Six months later, I had dropped out of the
U of M's mass communication program; I learned quickly that the professorial route just wasn't for me.
But I still had those 15-song playlists, forever etched on
two Memorex CD-R. I still pull them out every summer, and they still do the job
of amping me up for a road trip on a hot day, or passing the time on a trip
down to my hometown of Waseca. Why not pass along those playlists to a group of
folks who might also enjoy these tunes? Here's the track listing for CD number
one.
---
1. "Constructive Summer" by The Hold Steady--Most
of this band is originally from Minnesota, and frontman Craig Finn, a
self-professed Twins fanatic--teamed with The Baseball Project on the song
"Don't Call Them Twinkies" a couple years back. It's roughly
86,000 times better than that G.B. Leighton song that played during every Twins
broadcast two years ago.
2. "The House That Heaven Built" by Japandroids--I
originally had Japandroids' "Young Hearts Spark Fire" in this slot,
but the Vancouver duo just released
their second full-length and my favorite record of 2012 on June 5.
"Heaven" is the first single off Celebration
Rock, an album full of fist-pumpers and sing-a-long choruses, and if you're
not busy on July 3, you should join me down at 7th
Street Entry and watch these guys.
3. "The Last Time" by The Rolling Stones--Mick
Jagger just played this song on the recent season finale of Saturday Night Live
with Arcade Fire as his backing band. It was awesome. You might recognize the
ambling guitar line--The Verve sampled the orchestral version of this tune for
their biggest hit "Bittersweet Sympony" (and subsequently lost all
rights to the song to the Stones in a lawsuit).
4. "One Angry Dwarf and 200 Solemn Faces" by Ben
Folds Five--This track is all frenetic piano, and crashing drums, and it always
reminded me of something Beethoven might write if he was born in 1983 and wore
thick-rimmed glasses with no lenses.
5. "10 A.M. Automatic" by The Black Keys--Here's
my favorite tune from a band that has blown up on the strength of the singles
from their last two albums. Their latest El
Camino was my favorite album of 2011, but this slightly older track of
theirs boasts their best, most powerful hook and lyrics that make me sneer out
an open car window while I tap the top of my 2000 Bonneville.
6. "Hello Operator" by The White Stripes--I was a
witty, cheeky 22-year-old who thought putting The Black Keys and The Stripes
back-to-back just made karmic sense. It sounds like a crazy, guitar-playing
boulder falling off the side of a mountain, careening and smacking off every
tree branch it hits on the way down to a guy playing a harmonica next to a
bonfire.
7. "Run Through the Jungle" by Creedence
Clearwater Revival--Listening to this song is like taking a hoverboat ride
through a New Orleans swamp. It's
just sticky, like the air on a day where the National Weather Service has
issued a heat advisory. And John Fogerty sounds like a bullfrog croaking
warnings through a megaphone to just stay the hell away from the whole ordeal.
8. "Season of the Witch" by Lou Rawls--I'm a big
fan of jaunty horns whenever they show up in a song, and Rawls did this song a
huge favor by adding them into this previously psychedelic 1966 tune originally
recorded by Donovan. With the brass and the playful organ, this song turns from
an eerie song about weird people staring at each other into a great tune to
blast while driving around Lake Calhoun.
9. "Hot Fun in the Summertime" by Sly and the
Family Stone--This song is summer personified. Another horn-n'-piano-inflected
number, I love this one for the coolness of Sly's delivery and the easygoing
strings interspersed with the energetic, sing-a-long choruses.
The Flaming Lips' Wayne Coyne with OKC's Kevin Durant. |
10. "The W.A.N.D." by The Flaming Lips--This song
makes you wish you had gigantic hands so that, as you clap
along to the insistent beats, bleeps, bloops, and ethereal sounds that touch
the corners of this track, they would make a sound similar to a mini-sonic boom. The Lips are playing at the River's Edge Festival
this weekend on Harriet Island,
and I'm quite jealous of those that will get to see their carnival of a live
show Sunday.
11. "I Got the Feelin'" by James Brown--Again with
the horns! This is my favorite James Brown vocal performance; he just wails on
this track. And it's super fun to bang out this drum beat, have it drop out,
shout the "Baby baby bayyy-beh"s along with James, and then go right
back to the drummin'.
12. "The Comeback" by Shout Out Louds--The Swedish
quintet's signature tune is like the less hostile, indie 2000s Euro-equivalent to
Twisted Sister's "We're Not Gonna Take It." It's got an easy chorus, a
simple but effective chord progression, and the beginning always makes me think
I'm about to take off in the alpine downhill competition at the Winter
Olympics.
13. "Lawyers, Guns, and Money" by Warren Zevon--In
addition to being incredibly catchy, this song always reminds me that, hey,
life could be worse. I could be hiding in Honduras,
or losing all my money in a game of dominoes down in Cuba
or something. At least I don't need my parents to send a small cavalry in to my
current location to get me out of big-time trouble. Thanks, Warren!
14. "One Big Holiday
(Live)" by My Morning Jacket
15. "All My Friends" by LCD Soundsystem--I
can never separate these two songs from each other. They melt together into one
13-minute blur of bombastic longing for one more go at those ridiculous, epic,
unplannable evenings with--ahem--all your friends, contemplating all those
things tangible and intangible that seem to matter most in the world that dot
your twenties and are supposed to wane as years pass. But as James Murphy sings
on track 15, "I wouldn't trade one stupid decision for another five years
of life."
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